Sunday, 2 October 2011

Director of Photography

A director of photography is someone who supervises the filming of movies, commercials, television series, or any other sort of filmed production. It is common to see the terms “director of photography” and “cinematographer” used interchangeably, although this usage is not acceptable in all regions, as sometimes these jobs are actually quite distinct from each other. Essentially, the director of photography is responsible for the look and feel of a piece on film.
Three things are necessary to become a good director of photography: training, experience, and a good eye. Many people interested in careers in cinematography go to film school, where they learn about the mechanics of the work and have an opportunity to participate in internships on set to get a feel for the work. Then, they work their way up through the ranks on set, often working in a variety of positions to learn more about the business, before finally becoming directors of photography, in which case a good artistic eye becomes crucial.



On set, the director of photography or DP supervises the camera and lighting crews, and he or she will work closely with the set designers, costumers, and makeup artists. Often, the director of photography and the director both have final say over which cuts will be included in the finished piece, and the two work closely together to achieve the desired look. The director of photography will use lighting, filters, and a variety of camera techniques to shoot a scene in accordance with the wishes of the director.
A director of photography may also be involved in post-production, working with the sound and color artists to develop and reproduce the film. The DP often works closely with the editing staff as well, creating a consistent look throughout a scene, even if it was shot over the course of hours or days.
The relationship between a director of photography and a director can vary. A really talented director of photography may require minimal direction, as he or she instinctively understands what is needed. Other directors prefer more control, and they may go as far as to specify particular settings on the camera, especially with new and unfamiliar directors of photography, to ensure that the piece turns out as they envision.
Some DPs become quite famous for producing distinctive, high quality work with incredible artistic vision, and they may be offered awards or invited to join elite societies. For people interested in cinematography careers, a chance to work or train with these leading lights in the field is a great honor.

Become a cinematographer

To become a cinematographer, you should acquire a strong background in and understanding of photography and camera operation, while also developing contacts within the entertainment industry. Many cinematographers work their way up within the film or television industry, often starting as camera assistants before moving on to become camera operators and cinematographers. You should consider receiving an education in film or television production, either from a traditional college or a film school, to gain the knowledge of camera operation and set production you need. Once you have the training to become a cinematographer, you should build contacts and develop a network within the industry to find jobs.
If you want to become a cinematographer, then you should be ready to work your way up within the film or television industry. A cinematographer is sometimes considered the same position as a director of photography (DP), while some productions may employ both a DP and a cinematographer. Cinematographers are typically responsible for overseeing the operations of a camera crew, including camera operators and assistants, and working with other departments on a production to capture the desires of the film director.

Your first steps to become a cinematographer should typically involve learning about film or television production. There are many colleges and universities with programs in film and television, as well as film schools and art schools with film programs. The classes offered in these programs teach you about camera use and concepts such as lighting and scene composition, as well as provide you with a degree. While it is possible for someone to become a cinematographer by working his or her way up within the industry without a degree, this has become increasingly difficult.
Once you have a degree or the training you need to become a cinematographer, then you can begin working your way into the film or television industry. While some basic aspects of both industries are similar, employment within them can often seem mutually exclusive. Fortunately, however, cinematographers can often switch between these industries more easily than actors can. You should look for opportunities to begin working as a camera assistant or camera operator; these positions are usually entry level and can be used to become a cinematographer.
As you are gaining experience working on camera crews, you should also develop contacts within the film or television industry. Your network should include other members of camera crews, as well as directors, producers, and established cinematographers. Once you have experience within the industry, then you can become a cinematographer by looking for productions in need of your abilities. You may need to start as a DP on smaller productions, but each film or show you work on provides you with more experience and samples of your work for greater opportunities.

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